Nicole, and the road back to anger

I am the history of rape

I am the history of the rejection of who I am

I am the history of the terrorized incarceration of

my self

I am the history of battery assault and limitless

armies against whatever I want to do with my mind

and my body and my soul and

whether it’s about walking out at night

or whether it’s about the love that I feel or

whether it’s about the sanctity of my vagina or

the sanctity of my national boundaries

or the sanctity of my leaders or the sanctity

of each and every desire

that I know from my personal and idiosyncratic

and disputably single and singular heart

I have been raped

be-

cause I have been wrong the wrong sex the wrong age

the wrong skin the wrong nose the wrong hair the

wrong need the wrong dream the wrong geographic

the wrong sartorial I

I have been the meaning of rape

I have been the problem everyone seeks to

eliminate by forced

penetration with or without the evidence of slime and/

but let this be unmistakable this poem

is not consent I do not consent

~From Poem About My Rights, June Jordan

It is when highly unexpected events happen that our personal opinions are most truthfully tested. It easy to feel or galvanize towards anger when old players play out old roles, even if in carrying them out they create such shocking scenes of horror that some roles are redefined. Just a couple of weeks back, when suspected military men abducted, raped, and killed Rebelyn Pitao, the whole of Davao City was so incensed its mayor suddenly took up the cudgels for human rights. This raised the eyebrows only of a few, such as the Philippine Daily Inquirer, which in an editorial chose to nitpick on Rodrigo Duterte’s local vigilantism instead of zeroing in on Gloria Arroyo’s national policy of wiping out leftists. Most understood that everyone can and should condemn state forces that are the only ones to be blamed, and that Rebelyn needs nothing less than a strong and resounding chorus for justice if such crimes are to be prevented from happening again, especially to innocent women.

But then here come’s Nicole with her “recantation”—I would like to say reinterpretation would be more accurate—of the events that transpired in the back of a van one night in Subic November of 2005. It was a shock, too, in a way that Rebelyn’s death was. But it was one that gave way to much confusion and dismay because the one cast in the role of the victim suddenly didn’t seem to be much of a victim anymore, if one were to read superficially the sworn statement Nicole gave to the court before leaving for the United States, as those who were behind its construction intended it to be read.

Those who have intelligently attempted to deconstruct the statement found that it did not remove the fundamental element of rape and that it in fact strengthened it by underscoring that she was too drunk to have given Lance Cpl. Daniel Smith her consent for sex. In fact, those who bother to read the situation in which it was produced would figure out that it was probably not Nicole speaking but Smith’s lawyers who notarized it for her. Unfortunately, all that many chose to see is the self-doubt that a rape victim made apparent after the pressure of three years of waiting for justice from a government that from the start treated her merely as an inconvenient PR disaster for its subservient relations to the US, of standing up to a foreign power that pounced on her every vulnerability, of living in a hometown where the likes of Smith freely roam with masks of benevolence. For those who had symbolically invested in Nicole the fight against US military presence in the country and violence against women, her recantation seemed an act of betrayal of their trust in her person. It elicited a lot of immature, knee-jerk reactions that is painful to watch, especially because it was led by the supposedly rational media, which chose for the first time to splash her true identity in front pages and primetime TV even if nothing about the case had changed to merit such vindictive disrespect for victims of violence against women. Then came a deluge of the same set of opinions that the progressive women’s movement had struggled with at the start of the Subic rape case trial—that she was a loose woman who got what she was asking for, with one columnist even going as far as saying that she wore skinny jeans that Smith couldn’t have taken off without her help. The sensational news headlines of old (“Nicole wants to have more sex”) have been rehashed into softer opinion pieces (“Deconstructing Nicole”) or subtler editorial treatment that nevertheless consist of the same victim-blaming mode. Except that now, starting a new life on foreign shores, Nicole is beyond feeling the hurt that anyone in this country with the compulsion can inflict. It is only we who are left to grapple with the remaining struggle as both the Philipine and US governments are poised to justify the continuation of the Visiting Forces Agreement (VFA) with the thorny issue of a US soldier’s rape of a Filipina expected to be extracted from its side.

In its editorial, the PDI enumerated judgments on Nicole that have crystallized over the past few days. “She was the victim of government neglect”; “she was a flirt who couldn’t handle her drink”; “she was in it for the money or the visa”; “she was a Filipina who wanted to live the American dream.” It said that her sworn statement “may tell us more about her than we are ready for.” I say that the way we have reacted to her sworn statement tells us more about ourselves than we are ready for. Despite centuries of oppression and exploitation, in which many of our women have been abused by colonial and neo-colonial powers led by the US, we still haven’t learned how to recognize victims that could be ourselves, our mothers, our sisters, and our daughters, much less treat them well and nurture that which compels them to stand up and fight. We had rallied behind Nicole because she had the courage it took to file a case that the government itself had ensured wouldn’t send her rapist to jail, to sit in court under the glare of many who couldn’t be moved to believe her, and to endure pressures that we can never know of or even be bothered to imagine. But now that her courage ran out, we had failed to exhibit the same. Instead of turning our ire on the old players that with gusto played out their old roles—Philippine government as US lackey, US government as foreign bully—we instead embarked on a misdirected crusade to discredit the role that Nicole played, however inadvertently, as a champion for women’s rights and national sovereignty but in the end just couldn’t sacrifice a “normal life” for. What Nicole did was understandable; what we are doing is not.

Our voices are falling through the age-old cracks of patriarchy, thus rendering our chorus for justice weak and dissonant. It the Arroyo and the US government succeed in once again ramming the VFA down our throats (and god knows what else into the lives and bodies of our women for decades to come) at this exact point in history where we are in the best position to call for its junking and yet chose not to simply because we judged a woman in a way that no woman should ever be judged, we will have nobody to blame but ourselves. This particular issue must push us to recognize the sophistication of the ways of the enemy. Sometimes it is downright brutal as in the case of Rebelyn. Sometimes, though, as in the case of Nicole, it simply spawns and feeds on existing prejudices in a society still very much steeped in a culture that habitually and insidiously devalues women. The former arouses the senses; the latter deadens it. Both are equally foul play that deserves nothing less than our highest collective condemnation.

In an interview last 2006, Nicole’s therapist Dr. June Pagaduan-Lopez said that her client was on the verge of chronic post-traumatic stress disorder. This was a condition, she explained, wherein a rape victim can’t regain her confidence and self-worth. “I alone cannot nurse her back to health. At the right time, she should join an organization that will carry the same struggle. It is the only way for her anger to be constructive; the only way to empower her,” Dr. Lopez added. It takes no degree in psychiatry to understand that Nicole’s “recantation” was one of the many roads that are open to rape victims who do not so easily reach the place of dignity, or who lose empowerment along the way. As for us who had felt injustice not only as witnesses to a single crime against her person, but also as historical victims of imperialist aggression whose implications go far beyond women’s issues and lie at the very heart of national independence and sovereignty, there should only be one dignified road to take, and that is the road back to anger. Anger for rape, both individual and systemic, actual and symbolic. Anger for those who enjoin us to think in the manner of rapists and their coddlers whose sense of unchallenged power lead to human rights violations of the most offensive order. Anger that is constructive and empowering because it is organized towards a just end, with or without Nicole to act as its symbol.

The struggle against the VFA is far from defeated. The role of those who can and should partake in it has only been redefined to include becoming harbingers of human compassion and political astuteness at this period of shock when a narrow sense of betrayal and classic machismo reign over our personal opinions and—like American soldiers on our soil—threaten to stay “for good.”

Biased, dangerous reporting on the 40-year Philippine communist rebellion

I highly recommend reading Teo Marasigan’s blog entry Mahirap Lang Sila, Hindi Tanga* on the mainstream media’s attempt to forever tie down the supposed insignificance of the communist rebellion in the Philippines, the CPP having celebrated its 40th year last December 26, with character assassination of its founding chairman, Jose Ma. Sison. Teo matter-of-factly, and then quite ardently, exposes how this line of thought based on shaky, almost non-existent logic actually betrays a disdain for the masses and their capacity to think and act for their own interests and utter ignorance.

May I add that the two-part article that came out on the Philippine Daily Inquirer in time for the CPP’s 40th, Sison now croons to keep cause alive and Campuses source of CPP ‘quality cadres’, are appalling as journalistic pieces. It was shamelessly slanted towards military propaganda, with AFP officials quoted 80% of the time. In fact, the military’s assumptions–that the CPP is “grasping at straws”, that Sison does nothing except to sing on YouTube and to party, that the New People’s Army resorts to criminality, that universities are communist recruitment centers–form the backbone of these two articles, with Rightist commentary on how the Left has fared in world politics thrown along the way.

It was shocking that the article treated so cavalierly AFP vice chief-of-staff Lt. Gen. Cardozo Luna’s statement that rebellion should be regarded as a common crime. I would be tempted to say that that discredited militarist fantasy looks so ancient and funny on print, if only the repercussions were not so serious and all too real, with six Southern Tagalog activists, including labor leader Atty. Remigio Saladero Jr., still in jail because of trumped-up rebellion charges.

The repeated use of the words “his revolution” or “his cause,” pertaining to Sison, is inaccurate and malicious (Sison is technically National Democratic Front of the Philippines chief political consultant and chairperson of the International League of People’s Struggles, attempts to link him to the current CPP leadership prove to be threatening to his life and liberty), annoying and ridiculous (I mean, come on, would a revolution “waged halfway around the world” survive for this long? Have you ever heard an NPA anywhere ever say that they were willing to die for “Joma’s cause” or “Joma’s revolution”?).

In the second part, the article also cannot make up its mind whether to portray idealist youths as mindless Sison followers or as intelligent but misguided activists–I guess the falsity of its claims couldn’t help but end in confusing contradictions. This paragraph was an entirely unattributed assertion: “The increasing cases ranging from malicious mischief, robbery, grave threats and assault filed against activists in the PUP are also evidence of NPA activities in the school.” Probably because it was non-sequitur. So campus kleptos are now armed insurgents? And aren’t cases of malicious mischief and grave threats and assault filed against activists more often than not evidence of repression of their right to free speech, assembly, and expression? (Such as drawing a moustache on Arroyo, the article thankfully points out)

AFP Civil and Military Operation’s chief Col. Buenaventura Pascual, also speculated that Diana Publico, a missing PUP student, went underground–and the reporter didn’t even bother to corroborate or counteract this allegation with possibly an interview with the student’s family. For all we know the girl could’ve run away with her lover, there was totally nothing by way of background information.

The article gave full play to the military chorus that the NPA uses banned landmines and acted deaf to the CPP’s clarification that NPA’s only use contact landmines whose targets are precise military ones and are permissible under war conventions. As “background information,” the article said: “The planting of land mines has maimed millions of civilians, including women and children, caught in recent conflicts from Cambodia to Mozambique.” And weren’t these non-contact (anti-personnel) landmines in contrast? And what are the incidents of civilians maimed HERE because of the NPA’s landmine use?

The article also had this penchant of citing commentary of unnamed political analysts, such as: “One political science professor says those attracted to the OFW phenomenon fit the persona of the adventurous, if romantic, potential recruits of the CPP revolutionaries, except that now they’d rather go abroad.” I’m sure that there are no lack of anti-Left political professors who would readily mouth such an opinion, but couldn’t the PDI just name his/her? Only “common knowledge” bears lack of citation; the above is merely subjective observation.

Lastly, presumably to get the side of the Left, the reporter interviewed Bayan Muna Reps. Teddy Casino and Satur Ocampo. The two offered, quite gracefully, their opinions on why the rebellion persists and the attraction this holds for idealist youths of today. But really, if the sources were to be objectively viewed, an NDFP representative–or maybe even Sison himself (he should’ve been readily available through the Internet, his “main vehicle for propaganda”, right?) –should’ve been interviewed on the CPP instead.Why these party-list representatives, much as their respect and admiration for the revolutionary Left must be, whom the government imputes to be communist cadres in order to persecute?

There are articles that are infuriating because of what the sources say (it is common for me to utter invectives while reading the newspaper). But there are articles that are infuriating because of what the sources say and the way it was written. The PDI’s “Red Revolution at 40″ series is of the latter. Being a practitioner of alternative journalism I know that bias is a given. But careless Rightist bias that seeps into a front page article on the country’s biggest broadsheet is not only bad reporting, it is also dangerous reporting.

Let us remember that under the Arroyo regime, ordinary civilians and activists continue to be killed, abducted, tortured, jailed, harassed, and persecuted on mere suspicion of being communist rebels. This is the “90%” action that the AFP boasts of in the article. If the mainstream media will allow itself to become part of its 10% propaganda–which mainly consists of vilifying the CPP and linking to it legal Left organizations and leaders–it will have blood on its hands as well.

Bukas na liham sa mambabasa ng Pinoy Weekly*

Mahal kong mambabasa,

Simula ngayong linggo, ititigil muna namin ang paglalabas ng dyaryong inyong tinangkilik sa nakaraang anim na taon. Isa itong masakit na desisyong ibinunga, hindi ng pagkasawang maglingkod sa inyo, kundi ng krisis pang-ekonomiyang sumasaklob sa buong bansa. Sadyang hindi kayang mabuhay, sa ngayon, ng isang progresibong pahayagan na inuuna ang hangaring makapagsilbi sa interes ng malawak na mardyinalisadong mga mamamayan kaysa sa interes ng kapital, o ng iilang nakagiginhawa na’t dominante pa rin ang makasariling tinig sa mass media.

Sabi nga nila, isang tinig ang nananahimik tuwing nagsasara ang isang dyaryo. Sa aming kaso, tinig ninyo–mga manggagawa, magsasaka, maralitang lungsod, kababaihan, estudyante, migrante, empleyado ng gobyerno at ng iba pang batayang sektor na nagpapatakbo ngunit siya ring inaapi’t inaalipin sa lipunan–ang mawawala.

Hindi ito tuluyan, dahil ipagpapatuloy namin ang paglalathala ng parehong de-kalidad na mga artikulo sa aming website. Pero sa bansa nating atrasado pa, mapagkumbaba kong aaminin, limitado ang saklaw na naaabot ng internet. Marami sa inyo, marahil, hindi nakakaharap sa kompiyuter dahil subsob sa pangaraw-araw na paghahanapbuhay o di kaya sa samu’t saring pakikibaka. Gayunpaman, ang kahit anong lagusan ay dapat samantalahin. Ineengganyo ko kayong buksan ang http://www.pinoyweekly.org tuwing may panahon at pagkakataon.

Simula’t sapul, malinaw ang layunin ng dyaryong ito: na maging dyaryo ng masa at para sa masa. Kailanman hindi namin kayo itinrato, gaya ng mainstream na mass media, na balon na maaaring pagkakitaan o mga utak na kayang paikutin para paigtingin pa ang elitistang kontrol sa lipunan. Narito kami para magmulat at magpakilos para sa pagbabagong hangad nating lahat.

Kaya’t tunay na nakabibiyak ng puso ang mawalay sa inyo, lalo sa panahon ngayon ng napakatinding krisis na pang-ekonomiya’t pampulitika–sama-sama sana nating binabagtas ito tungo sa mas malalim na pagkakaunawa at pakikisangkot bilang mga mamamayan. Pero maging kami ay biktima ng pananalasa ng nasabing krisis. Ang kalayaan sa pamamamahayag ay tulad din ng kalayaan ng bayan–huwad, dahil para lamang sa iilan na may kapangyarihan sa bisa ng kapital, at hindi ng prinsipyo.

Gayunpaman, nais kong pasalamatan kayo. Ang anim na taon kong pagsusulat para sa dyaryong ito ang bumubuo sa gulugod ng aking pagkatao. Marami akong natutunan sa paglangoy kapwa sa hanay ninyo at sa mga institusyon ng gobyernong dapat naglilingkod sa inyo. Bilang mamamahayag, nakita ko ang samu’t saring mukha ng pang-aapi at pagpapahirap sa mga mamamayan ng Estado na naninikluhod lamang sa mga negosyante’t dayuhan. Sa kalakhan, mahilig ito sa palusot sa kalokohan, paliwanag sa kapalpakan, pagpapabango sa sitwasyon, pagbibida ng kasinungalingan, at pandarahas sa paglaban.

Hindi mo kailangang maging mamamahayag para makita ito. Pero kailangan mong maging mamamahayag para maipaliwanag ito sa paraang magaang pero malaman at komprehensibo; at sa paraang lumilitaw at nararamdaman ang konkretong epekto ng mga usaping pambansa sa inyong sari-sariling buhay.

Pinakamasarap sa trabahong ito ang pakikisalamuha sa inyo–ang mapayaman ng inyong buhay at pakikibaka tuwing naririnig ang tungkol sa inyong mga sakripisyo, daing, pagsusumikap, at pangarap. Ang aking pagmamalasakit, pagmamahal, at higit sa lahat, pagpupugay sa inyong diwang palaban ang linggu-linggo kong sinubok patagusin sa mga sulatin (sa anyo man ng suring-balita, lathalain, o simpleng balita) at larawan.

Hinugutan ko ng mahahalagang aral ang mahaba-haba ring karanasan ng peryodismo para sa taumbayan. Kung nagkulang man ako, asahan ninyong pagsusumikapan ko, at ng iba pang manunulat ng Pinoy Weekly, na lalong magpahusay sa pagpapaabot sa inyo ng mga impormasyon at pagsusuring sandata para sa ikauunlad at ikalalaya ng bayan. Nawala man ang dyaryo, nariyan pa rin kami sa alternatibong espasyong tinatawag na cyberspace, o kung hindi man, sa mga larangang makapag-aambag pa rin sa kilusan para sa panlipunang pagbabago.

Hindi lamang ang tradisyunal na tungkuling maglabas ng mga katotohanan ang aming tinanganan sa Pinoy Weekly. Higit pa rito, naniniwala kaming ang aktibong pagpanig sa inyo, na tagapamandila di lamang ng katotohanan kundi maging ng katuwiran, ang pinakamataas na tungkulin (at karangalan) para sa isang mamamahayag. Muli, maraming salamat sa pambihirang pagkakataon. Anu’t anuman ang mangyari, umasa kayong uusbong at uusbong pa rin ang isang pahayagang matapat, mapanuri, at makabayan, dahil ito ang inyong hinihingi at nararapat sa inyo.

Ilang-Ilang D. Quijano (Manunulat at Online Editor, Pinoy Weekly)

* Inilathala sa Pinoy Weekly, Bolyum 7 Blg. 23, Hunyo 18 – 24, 2008

Midya, magsasaka at ang unang eksena ng 2008

Hindi siguro inakala ng mga taga-midya, na malamang noon ay bumubuwelo pa lamang sa pagkokober ng isa na namang taon ng mga sakuna at kontrobersiya, na magiging bahagi sila ng unang malaking eksena ng 2008. Isang advisory na inilabas ng Department of Justice ang nagbabala: ituturing na kriminal ang sinumang miyembro ng midya na susuway sa utos ng pulisya o militar sa panahon ng emergency. Ang sitwasyong-krisis sa mga rebeldeng sundalong Magdalo sa Manila Pen noong Nobyembre 29 at ang papel ng midya na nanatili sa loob ng otel nang sinalakay ito ng mga awtoridad ang pinaghalawan ng babala. Agad umalma ang mga grupo ng mga mamamahayag at lahat ng mga naniniwalang hindi dapat ikriminalisa ang trabahong ihatid sa mga mamamayan ang balita.

Makaraan ang ilang araw, marahil dahil na-presyur si DOJ Sek. Raul Gonzalez na ipaliwanag ang kautusang lubos na kinamumuhian lalo ng mga naniniwala sa liberal na demokrasya, isang destabilization plot o planong patalsikin sa poder si Arroyo ang inilahad na dahilan ng pagbababala sa midya. Ang petsa: Enero 22, ika-21 anibersaryo ng Mendiola Massacre. Huling araw ito ng Lakbayan o Martsa para sa Lupa, Pagkain, at Hustisyang Sosyal ng mga magsasaka mula pa sa malalayong rehiyon ng Timog Katagalugan, Bikol, Gitnang Luzon, Cagayan Valley, at Hilagang Luzon. Puntirya ng libu-libong mga magsasaka ang Mendiola, oo, pero hindi sila nahihibang isipin na mapapatalsik nila sa pagkilos na iyon ang isang pangulong, sa tuso at dahas, ay walang dadaig sa pagkapit sa kapangyarihang nakaw. Nais lamang nilang idaing kay Arroyo, tulad ng mga magsasaka noong 1987 kay dating pangulong Aquino, ang gutom at kawalang-hustisya na patuloy na namamayani sa kanayunang di pagmamay-ari nilang mga naglilinang ng lupa.

Pero heto na’t may tangkang busalan ang midya. Heto na’t inaresto ang limang sundalo na binansagang kasamahan ng mga rebeldeng Magdalo at diumano’y nasa akto ng paghahatid ng mga armas (Ang nabawing tatlong riple laban sa 10,000 pulis na ipapakalat sa Mendiola?) Ginagawa ng gobyerno ang lahat para mag-anyong destabilization plot ang isang lehitimong protestang kinakatawan ang nag-uumapaw na diskuntento ng mga mamamayan sa pang-ekonomiya at pampulitikang lagay ng bansa. Paulit-ulit na ang tugon ng mga lider ng oposisyon na ilan beses nang pilit idinawit sa parehong mga balak diumano. Ayon kay Anakpawis Rep. Crispin Beltran: “Anong gagawin namin sa gobyernong na-destabilize na ang sarili niya?”

Walang simpatiyang makukuha si Arroyo mula sa publikong sawa na, hindi sa mga protestang kung tutuusin maliliit at kakaunti pa, kundi sa gobyernong baon na sa leeg sa sariling kawalanghiyaan, mahilig pang mag-imbento ng mga multong nagsasawira lamang sa alaala ng pinakamarurumi nitong krimen. Marami na ang humihiling noon pa man ng pagpapatalsik sa pangulo, bakit sila susuporta sa praning na mga hakbang para pigilan ang isang pinagbibintangang plano?

Sa kabuuan, at pinatutunayan ng kasalukuyang pagtrato sa Lakbayan, wala nang pagbabalatkayo ang pagmamalupit ng gobyernong Arroyo sa mga magsasaka, na mayorya ng mga Pilipino. Tuwing sila’y nagsasama-sama sa lansangan, tinatawag silang mga destabilizer at binabalewala ang panawagan para sa tunay na reporma sa lupa. Tuwing sila’y nagsasama-sama sila sa kanayunan, tinatawag silang mga NPA, tinotortyur, at pinapatay (Ang pinakahuli ay si Teldo Rebamonte, dinukot ng Regional Mobile Group sa Masbate at natagpuan ang bangkay noong Enero 12).

Pero noong Disyembre lamang, ginamit ang mga magsasaka ng Sumilao, Bukidnon, para ibida ang Comprehensive Agrarian Reform Program at muling magmukhang maka-magsasaka (Huli niyang tinangka ito nang maglabas ng mga campaign poster na nag-aani siyang kuno, kumpleto ng kamisa-de-chino at sombrero). Nagdeklarang ibabalik ang lupaing kinamkam ng San Miguel Foods Inc. sa kanilang mga nagmartsa ng 1,700 kilometro makarating lamang ng Malakanyang. Ngayon, nasa Maynila muli ang 12 sa mga magsasaka para ireklamong di itinigil ng kompanya ang konstruksiyon sa kanilang lupa sa kabila ng utos ng pangulo.

Hindi mga destabilizer sa mata ng DOJ ang 55 magsasaka ng Sumilao, na may pareho namang karaingan sa 5,000 magsasakang naglakbay din at magpoprotesta sa Enero 22. Tulad ng mga bata sa Payatas at iba pang mukha ng karalitaan na pana-panahong niyayakag sa tabi ng pangulo, kinailangan ang mga magsasaka para likhain ang imahe ng pagka-mesiya ni Arroyo, na sa puntong ito ng kanyang pamumuno (isaisip na lamang ang P728-M Fertilizer Fund Scam) ay lalong nagiging kasuklam-suklam makita sa telebisyon o dyaryo. Kinailangan din ni Arroyo ang midya. Bagkus, hindi mga kriminal kung ituring ang mga mamamahayag na nagkober sa pagkawala ng hapis ng mga magsasakang pinaunlakan at pinangakuan ng pangulo, kahit di ito totoong balita (ang Manila Pen takeover ay kaganapang aktuwal, ang land takeover ay di maitaga sa bato maging ng Department of Agrarian Reform). Ito ang istabilidad sa pamamagitan ng panlilinlang—mabilis at mapayapa, bagaman pansamantala.

Ang istabilidad sa pamamagitan ng pananakot at dahas naman ay inirereserba para sa mga ayaw magpalinlang—tulad ng mga taga-midyang piniling maging saksi sa isang mahalagang pambansang krisis, tulad ng mga magsasakang tinraydor ng CARP at piniling iasa sa sariling lakas ang paggiit sa karapatan sa lupa’t pagkain. Parami nang parami ang mga tulad nila, kaya di nakapagtataka na ang eksenang sumalubong sa 2008 ay karugtong lamang ng maiigting na eksena ng tunggalian ng nakaraang mga taon.

Bilang mamamahayag, umaasa akong ikokober ko ang isang taon di lamang ng mga sakuna at kontrobersiya, kundi ng tagumpay ng mga di nagpapaloko at naghahanap ng istabilidad sa pamamagitan ng hustisya, na siyang tanging nagtatagal at para sa lahat.

Press freedom and impossible neutrality

I had been puzzling over it for the past few days. That’s why I was extremely glad that my friend and favorite Philippine Daily Inquirer reporter TJ Burgonio did the story on the bastardization of mural of the Neo-Angono Artists Collective commissioned by the National Press Club. It shed light on why the NPC did in what would be the last nail in the coffin on its stature as the “bastion of press freedom.” Of course, as everyone already knows, the NPC has long lost such a stature, if it ever genuinely had one, considering that it was bestowed not by the nature of its creation as a professional body of a basically reactionary press during the 1950s, but by individual officers (such as Satur Ocampo, Antonio Zumel, Tony Nieva) who eschewed the industry’s neutrality formula and committed themselves to journalism for social change during martial law. To put it mildly, the NPC is an elite organization that has little to do with upholding journalists’ welfare, professional standards, and freedom of the press. But why it would defile a piece of art despite the risk akin to altering a copy, was a mystery until it was reported that it was done for Gloria Macapagal-Arroyo, who was guest of honor at its unveiling. Of course. I should have known that it was only the queen of censorship who thinks that an artwork is as malleable as the headline of an administration newspaper.

The Arroyo regime brands and kills people it terms as “leftists” all over the country. So I guess the Presidential Security Group was acting in the name of counter-insurgency when it hunted the mural for “leftist” signs and had them painted over—obliterated or maimed. In this sense the artists’ creations are similar to the victims of extrajudicial killings, enforced disappearances, and torture. The “bastardization” of the artwork is horrifying on two levels. First is the act itself, a personal and professional affront to the artists and what they call their intellectual property rights. But because their work is on the overtly social theme of press freedom, its defacement is made more ironic and the affront more public. It is a public affront to see Arroyo admiring a mural on the History of Press Freedom devoid of signs that the press is as under seige today as it was during martial law. That she resisted immortalization of “minor” details that would remind of her own present tyranny—the name of the National Union of Journalists of the Philippines on a banner (actively opposed to the killings of journalists under the Arroyo regime), the news of Jonas Burgos’ abduction this year, an editorial of the International Federation of Journalists on the chilling effect of the anti-terrorism law—is a major censorship issue. I imagine that the artists must feel like how journalists who have their stories killed do. Both their creative labors are towards the projection of a certain truth, and denying this truth is not just about denying recognition or respect for their labors, it is about impoverishing public memory.

Yet it must be noted that unlike that of the mass media, the power of a painting nowadays to imprint itself on public memory is highly limited. Physically, the NPC mural is situated at a sad old building hardly anyone but a small mix of journalists, hao-siaos, businessmen, and politicians visit. It speaks not to the masses, although it tries to speak to journalists whose job it is to speak to the masses. Its defilement was meant to satisfy one person and her sycophants. That is perhaps why the NPC officers tried to justify the changes as “minor”. In reality they were trying to downplay the significance of such changes by downplaying the significance of the painting as a whole: exposing it as their private property of select spectators. But the artists, proud of a work that depicts how “press freedom is not only the concern of journalists and writers but of the common people as well,” reproduced it in their website. They know that it carries a message useful to the public in these trying times and which must therefore be popularized.

It is interesting that this popularization that the artists envision took place when the message was destroyed. Or at least on the surface it was destroyed. Because the message was about government censorship and resistance to it—the government censoring this message and the artists resisting it only reinforced it. I guess it was this underlying drama that compelled the PDI to make the story its banner.

Generally speaking, it is ticklish for any news organization to publish stories that would shed bad light on fellow journalists. TJ had asked me, concerned, if I thought that the story was balanced enough (it was). Here the dual tendencies of the mass media emerge. On one hand, you have the NPC becoming complicit in the government’s reactionary moves to tinker with public memory. On the other, you have the PDI exposing this complicity. So what the PSG had claimed they were trying to do—affirming the neutrality of the media by purging both “leftist” and “rightist” elements (although it still evades me why the saloon touch-ups of Randy David and Juan Mercado would make a painting less radical)—is impossible. The press is not and will never be neutral. Although TJ’s story was perfectly fair (it got the side of everyone concerned with the issue), the fact of its writing and landing on the front page was an exercise of a political choice to uphold what shameful industry colleagues preach about but ultimately fail to understand, much less assert: press freedom.

Press freedom, really, is the freedom of journalists and artists to make a choice to either preserve or change the status quo. It is the freedom to be revolutionary like the Katipunan symbol painted on Andres Bonifacio’s arm, or reactionary like the sappy arrow-pierced heart the NPC replaced it with. Historically, the nature of the mass media has been that of the latter. But those with good tastes and good principles know where to stand. That is, like the NPC mural in its original state shows, with the masses.